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Rhythm Lab Radio · August 21, 2026

Her Hour

Curated by Rae Johnson, on her birthday.

"Welcome to the first hour of Rhythm Lab Radio! This one is a little extra special, because it was programmed by someone very special to me. Today is my girlfriend's birthday, and to celebrate she wanted to put together some of her favorite tracks that relate to what we do here at RLR. So, for the next hour, you're going to hear a collection of tracks that mean something to her and hopefully bring a little joy to you, too. Happy birthday love — and thank you for letting me share your soundtrack with everyone."

Twelve tracks. Sixty-eight years. One woman's personal timeline of Black American music — from Kind of Blue to right now.

Curated by Rae Johnson · Broadcast August 21, 2026 · Rhythm Lab Radio

Kind of Blue album cover

1 · 1959

So What

Miles Davis — Kind of Blue · Columbia

This is where modern jazz exhales. Two chords, all the room in the world — and nearly everyone you're about to hear traces a straight line back to this session.

Somethin' Else album cover

2 · 1958

Autumn Leaves

Cannonball Adderley Quintet — Somethin' Else · Blue Note

You just left Miles leading his own session — here he is again, months earlier, sitting in on Cannonball Adderley's record instead. Same trumpeter, same year, an entirely different mood: proof of how versatile that era's musicians had to be just to work.

'Round Midnight soundtrack album cover

3 · 1986

'Round Midnight

Herbie Hancock — 'Round Midnight OST · Columbia

Herbie Hancock spent five years in Miles Davis's second great quintet before this soundtrack session — which means three of the first four artists in this hour all passed through one of Miles's bands. This hour is quietly a Miles Davis family tree.

Everybody Loves the Sunshine album cover

4 · 1976

Everybody Loves the Sunshine

Roy Ayers Ubiquity — Everybody Loves the Sunshine · Polydor

Here's where the hour turns warm — acoustic jazz giving way to jazz-funk. Roy Ayers, the man Erykah Badu crowned the Godfather of Neo Soul, passed away in March 2025, so this spin doubles as a tribute. His sound is the direct bridge to nearly everything sampled later in this set.

Blue Lights in the Basement album cover

5 · 1977

The Closer I Get to You

Donny Hathaway & Roberta Flack — Blue Lights in the Basement · Atlantic

Hathaway and Flack met as students at Howard University and became one of soul music's defining duet partnerships. Flack passed away in February 2025 — which means two artists in this hour, her and Roy Ayers, left us within months of each other. Another spin that doubles as a tribute.

Rae Johnson

1985

Rae arrives

RLR-0821-1985 · The greatest release of the era

Possibilities album cover

6 · 2005

A Song for You

Herbie Hancock feat. Christina Aguilera — Possibilities · Hancock Music

The full circle: Herbie Hancock, back again, playing piano behind pop superstar Christina Aguilera on a song most associated with Donny Hathaway — who you just heard two tracks ago. This hour rewards close listening.

Beautifully Human: Words and Sounds Vol. 2 album cover

7 · 2004

Golden

Jill Scott — Beautifully Human: Words and Sounds Vol. 2 · Hidden Beach

This is the centerpiece of the hour, and it's no accident it lands here. Jill Scott's "Golden" is pure joy and self-affirmation — a song about feeling free and golden, chosen for a birthday-themed hour on the birthday itself. Happy birthday, Rae.

Esperanza album cover

8 · 2008

I Know You Know

Esperanza Spalding & Leo Genovese — Esperanza · Heads Up

Esperanza Spalding met pianist Leo Genovese at Berklee College of Music, and their partnership runs through her catalog to this day — this is where it started. A few years later she'd become the first jazz musician ever to win the Grammy for Best New Artist.

12 Little Spells album cover

9 · 2018

Thang (Hips)

Esperanza Spalding — 12 Little Spells · Concord

A decade after "I Know You Know," this is Spalding the composer, not just the bassist and vocalist — one of twelve songs on an album where each track is dedicated to a different part of the human body. Same artist, same hour, an entirely different ambition.

Black Radio III album cover

10 · 2020

Better Than I Imagined

Robert Glasper feat. H.E.R. & Meshell Ndegeocello — Black Radio III · Loma Vista

This is the hour's thesis made explicit. Three traditions — Robert Glasper's Houston jazz piano, H.E.R.'s Bay Area R&B, Meshell Ndegeocello's D.C. go-go and funk — fused into one song, on a series built to prove jazz, soul, and hip-hop are the same family tree. It's basically what Rhythm Lab Radio has always been about.

INTIMIDATED EP cover

11 · 2021

Intimidated

KAYTRANADA feat. H.E.R. — INTIMIDATED · RCA

The neo-soul lineage from earlier in the hour — Ayers, Hathaway and Flack, Jill Scott — lands here in modern club production. KAYTRANADA's grooves carry the same jazz-funk DNA, just filtered through a Montreal dance-floor sensibility.

FATHERS album cover

12 · 2026

Tomorrow, Again

FATHERS — FATHERS · Blue Note

The hour closes on the newest release in the set — brand new for 2026, released on Blue Note, the same label behind Herbie Hancock's 'Round Midnight forty years earlier. A hip-hop producer and a beat-scene pianist teamed with two jazz players here: proof the line from Miles Davis to tonight is still being written.

1959 to 2026. Sixty-seven years of this music, and she carried us through all of it in a single hour. Her hour.

And when it ends, the radio does what radio does: one more song. Teaspoon and The Waves, "Oh Yeh Soweto," 54:12, playing us out.

Rae — you gave me an hour and I built you this. Fair trade? Not even close. Happy birthday. I love you.

— T